10/9/14

Robin Moore, Conservationist, Photographer and Author of In Search of Lost Frogs

Exclusive!

Tune in tomorrow, October 10, 2014 at 3pm EST and meet…

Robin Moore, conservationist, photographer and author of “In Search of Lost Frogs.”

*** Now Replaying *** The podcast interview is here:
Webcast: Robin Moore interviewed by Susan Newman

Follow the event and comment on Facebook:

Robin Moore Interview on Facebook with Susan Newman (aka Suzy Brandtastic)

About Robin Moore:

Robin Moore is a conservationist, photographer and the author of In Search of Lost Frogs (In Search of Lost Frogs).

Since gaining a PhD in biodiversity conservation, Robin has been a powerful voice for amphibian conservation.

He is a Conservation Officer with Rainforest Trust, Global Wildlife Conservation and the Amphibian Survival Alliance, the largest global partnership for amphibian conservation.

He is a proud Senior Fellow of the International League of Conservation Photographers (www.ilcp.com), represented by National Geographic Creative, and recently Co-Founded Frame of Mind (www.frameofmind.org), an initiative that empowers youth around the world to connect with their natural and cultural worlds through photography and visual.

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About Suzy Brandtastic interviews:

Susan Newman, an environmentalist and brand visibility designer knows how important it is to tell your “why.” Susan hosts a podcast series, live action video series and a written interview series, all featuring environmentalists, innovators, creatives and small business owners.

08/28/14

Eco-Interview: John Hamilton, Children’s Book Illustrator and Conservationist

When did this all begin? Please tell us a bit about your work.

I am an artist and illustrator based in Manchester UK. My artwork has always been narrative /story-based, using oil on canvas, printmaking, and large-scale collage. My work includes characters acting out various scenarios and role play, as if from a film or stage play. I often include animals or people dressed as animals. I recently had a children’s picture book published called “The Boy Who Really Really Really loves Lizards” aimed at 3-7 year olds.

What is your educational background and what led to this creative path?

My background is in Fine Art. I did my degree back in 1990 and have been a practicing artist since then. A couple of years ago I did a Masters degree in Children’s Book Illustration. For the final project I wrote the story about my son Oliver who was obsessed by visits to the Manchester Museum, From the age of two he has loved the museum and would spend hours there.

What are some challenges you have faced and how did you deal with them?

When I was doing research at the museum for the book, I became friendly with Andrew Gray, the curator of the vivarium. He specializes in the conservation of frogs and has done a lot of work to project many endangered species from Costa Rica and other places. His passion and commitment to the Museum is amazing. He was also responsible for getting the museum to publish my book which is a playful look at my boys obsession with the museum and the lizards, frogs and snakes. I think we saw it as a way to engage the younger visitors and to perhaps encourage them to become aware of the conservation involved. The museum features heavily in the book.

What can people do to help this cause?

The museum allows the public to sponsor the frogs and to contribute to the cost of research and support for the museum. Oliver recently sponsored a tiger monkey frog and got to meet it and hold it at the museum! You can also buy my book too!

How do you reach your targeted audience?
Is it through your website, advertising or social media or another route? Which is most effective and why?

I am trying to promote my book at the moment and I have been doing that through Facebook and Twitter as they both allow you to reach a large volume of people very quickly. It is also a good way of keeping in touch with people and informing them of events and new work. There is also a website for the book where I post features, reviews and workshop projects done with schools and colleges.

How do you keep the audience engaged over time?

Updates on Facebook and Twitter and by creating new links with organizations and groups with similar interests.

Tell us about your events around the world and some of the campaigns you have started.

The book is only available in the UK so that has been my main target but I would love it to go further afield! I have had emails from people in South Africa, Australia, France and the USA who have received the book, many as presents from the UK – so that is exciting!

What is in the works for the future? What haven’t you yet tackled, but will want to do soon?

I am working on another picture book possibly about butterflies or snails! I am hoping the museum may show an interest in publishing this one too. I want to try and make this one a bit more factual and to include facts and information to allow children to continue their interest in the subject.

Would you like to add a bit more?

No. Just a thank you for the opportunity to talk about the book and hopefully reach a few more people and encourage some more young people to really, really, really love lizards and frogs!

To find John Hamilton online:

Website: http://www.johnhamiltonillustration.com
Facebook: https://www.facebook.com/tbwrrrll
Twitter: @JohnHamilton17

For information on the Manchester Museum and their work with frogs and about sponsoring the frogs visit:
http://frogblogmanchester.com

08/19/14

Eco-Interview: Mike Maka, Mural Artist

When was your organization founded?
I’ve been a full-time artist since 2007, but making art since kindergarten, like when everyone else started.

What is your educational background and what lead to creating this organization?
(I’m not really an organization, nor am I especially organized.)

I studied in universities in New York, Adelaide, and Melbourne, but have learned a lot from friends and travel. Studies included illustration, fine art, graphic design, philosophy of art, etc. But working many years as a bike courier and enjoying the extreme side of life naturally led to climbing buildings, street art and graffiti. which has turned into a career or life.

What are some challenges you have faced and how did you deal with them?
I struggle with the business side of being an artist, such as pricing things, understanding the bigger market picture of what I offer, and finding a balance of creative projects with necessary business operations. I’m trying to get other people to do certain things, like social media, proposal writing, residency research and grants, and graphic design. Things that I am good with, but will let me create more art. I have learned over the years that the choices I make to do projects that are more fun, and the content or imagery that I find to be the most fun and challenging, without worrying about a client or people’s opinion in general, will lead to further projects in the same vain… and the money side of things takes care of itself. (Example: people will approach me to do paid projects for what I want to do, rather than when I started… I would compromise to suit a certain type of cafe for example.)

How do you reach your targeted audience?
Is it through your website, advertising or social media or another route? Which is most effective and why?

I paint a lot on the streets, which is a better feeling of ephemerality than canvas work. More people will see street works than in a gallery, but many more will see the art on the internet.

I don’t like to think in terms of advertising, or branding, as it kills the creativity.

There are a lot of bloggers out there who put my stuff on social media, but Instagram seems to be the main thing at the moment, and the best thing for me is it keeps me off Facebook with the direct share option.

How do you keep the audience engaged over time?
I think I have more of a problem of changing styles and content too much that would loose an audience, but again I don’t like to think about engaging an audience, but aim at an introspective view of my own mind. It does make me happy to know people enjoy some of my work, but also makes me happy when I can create something that isn’t main stream and doesn’t have mass appeal.

Tell us about your events around the world and some of the campaigns you have started.
I recently spent a month in New York City, painted many walls and went up to Toronto and through Los Angeles to paint a few walls. I’ve painted in around 20 countries and hope to paint more.

What is in the works for the future? What haven’t you yet tackled, but will want to do soon?

I have a lot of walls to do in Melbourne in the next month. September 6th will be the opening day of the new Everfresh Studios. October, I am planning a month long freedom drive up the east coast to link up 4 paid projects as well as whatever else I can find along the way. Living and working out of my bus (and probably a few friends houses.)

Later in November, I’m going to be the subject of a German documentary film crew, who will shoot an episode for their series.

I also plan on being back at the Miami Basel in December, and have plans to build a pyramid in Tulum or Playa del Carmen, which will be an art piece, but also a functioning permaculture garden prototype.

I am looking at art residencies in some Latin countries, and hope to be able to make this happen in 2014. Hopefully, Portugal, Brazil or somewhere Spanish speaking.

Bonus Bite:
The big snail wall has a frog reference, on the post box bottom right in the rubbish, the Puerto Rican guy who owned the building asked me to do his tattoo, a native symbol of his homeland, which is a famous frog, I can’t remember the name, but it was taken to Hawaii for some reason to do with people working there. I think they missed the sound it made, but they didn’t take the natural predator, so it thrives in Hawaii now… (this is the Coquí, Eleutherodactylus coqui)

To learn more about Mike Maka, visit the links below:

Website: http://www.makatron.com
Instagram: Instagram.com/mike_maka
Facebook: Mike Makatron
Vimeo: https://vimeo.com/mikemaka

07/9/14

Eco-Interview: Allison Green, Painting Nature – Jersey City Artist

Frogs Are Green founder, Susan Newman interviews Allison Green about her large-scale, exquisite paintings of nature. Here’s what Allison shares with us:

It’s hard to say exactly why I paint nature – but I am sure that it roots from my childhood life in Pennsylvania, where I grew up in a house on the perimeter of a lush forest. Memories of a childhood which revolved around nature are deep within me, especially today, as I have been living in the city for the last 20 years. Sometimes I wonder if I paint nature because I long for those lush forests of my childhood, or if it is the stories in those trees which still resonate so deep with in that I feel the need to let them out. Or, maybe it’s a combination of both.

April Roses, 2013 – Oil on Canvas, 48″ x 48″

These days, while I still love exploring vast forest and other pristine terrain, I have become most inspired by urban nature – from cultivated gardens like the High Line and the New York Botanical Garden, to the wildest of plant life that seems to sprout everywhere throughout the city and streets.

My inspiration often comes from the smallest details of a plant, such as the complex anatomy of a tiny, overlooked weed, the gnarled bark on an old, giant tree in the park, or those resilient vines growing up the sides of buildings in the summertime.

Eve, 2010 – Oil on Canvas, 30″ x 24″

In my most recent paintings, I’ve also become fascinated with the delicate and complex reproductive relationships between plants and insects. A swarm of bees pollinating a pair of desirable lotus flowers, while mating snails hide within an ever-evolving rose bush are examples of new imagery in which I seek to capture the magical and surreal natural world.

In addition, I’ve become fascinated by the way all life forms change, evolve and become something very different along the way. “Everything Changes”, my latest series, documents different phases in a plant’s life cycle, along with depicting insect/plant relationships.

Pollinate Me (lotus flowers with pollinating bees) 2014, Oil on Canvas, 60″x72″

Nature is such an amazing, endless source of inspiration. And as humans are putting it in jeopardy in so many different ways, it has become an even more important subject in my mind. Whether it be to find beauty in a simple weed, cherish a neighborhood tree, or to realize the perfection of most common little bug, I hope that my work can inspire someone to look at plant life and all of nature in a new way every day.

— Allison Green, Jersey City Artist

Lovers, 2010 – Oil on Canvas, 60″ x 48″

Currently Allison resides and works in downtown Jersey City, where she creates large-scale oil paintings. Her first solo exhibition, “Deeply Rooted”, opened in March 2011 at Susan Eley Fine Art in New York City. A second solo show at SEFA, “Entwined”, opened in September 2012 and features a fully illustrated catalog with an essay by Lilly Wei. Green’s work is now included in the Brooklyn Museum Elizabeth Sackler Feminist Art Base, and her paintings were recently exhibited at PULSE NY in spring 2013.

Green holds a BA from the University of Maryland with a concentration in Fine Art and Women’s Studies. She also studied at Studio Art Centers International (SACI) in Florence, Italy in 1995.

Sienna Thicket (Thicket #4) 2011, – Oil on Canvas, 48″ x 48″

07/4/14

Monet’s Garden and Frogs

Ever since I can remember having an appreciation for art, I was a fan of Claude Monet. A few weeks ago I was watching the PBS program NYC Arts and one of the reports was about Monet’s Waterlilies at MOMA. I can’t even begin to tell you how many times I’ve seen those magnificent paintings. But it wasn’t until that evening that I made the Frog Connection. All of a sudden I thought, with all those 100s of paintings created in Giverny Garden, did Monet ever paint a frog?

After the program was over, I went on the internet and searched “Did Monet ever paint a frog?” What came up mesmerized me. Pages and links to children’s books on this very topic. After reading and studying many pages it’s hard to know the truth, especially given that Monet was an impressionist painter and so a green dab of paint might be misconstrued as a frog.

I read three of the children’s books and I’d like to share them with you:

Philippe in Monet’s Garden
by Lisa Jobe Carmack and illustrated by Lisa Canney Chesaux

A charming story about a frog named Philippe, who just happens to live in France and just happens to have very large and long legs. As frog lovers, I’m sure you can imagine his potentially scary destiny to a local restaurant with all the frog hunters out there. Two of his frog friends get nabbed and so he hops away and away until he comes upon Giverny Garden where a sign is posted: No Frog Hunting! He’s safe! In he hops and Monet welcomes him, admires his large and beautiful legs and Philippe lives his life in that beautiful place with lots of bugs to eat and no fear. He may even be seen in one of the pictures?

The Magical Garden of Claude Monet
by Laurence Anholt

This is more of an adventure story. A young girl and her pet dog are feeling antsy in their family’s urban dwelling, while the mother is busy painting a picture. But the mother reassures Julie that as soon as she’s finished, they will go on an exciting adventure to a magical place. They board the train to travel to Monet’s garden at Giverny and it’s an afternoon of marvel and discovery. Beautiful watercolor illustrations throughout the book. Unfortunately, no mention of frogs.

Where is the Frog?
by Geraldine Elschner and Stephanie Girel

A children’s book inspired by Claude Monet

As you might imagine, this one was my favorite! The illustrations throughout are styled after Monet and the story is adorable. In this story we have a little female frog named Antoinette who only wants to be the subject of Monet’s efforts. She moves and poses and when he walks away, she hops up to have a look at the painting and realizes that she was a green frog sitting on a green lily pad. Oh no, that’s why there is no frog in the picture. So the next day she poses hanging from a vine or within some flowers, and hooray, she’s depicted in the picture. She gets so excited she knocks the painting, easel, materials and herself into the water. Alas, still no picture with a frog in it!

— Susan Newman, founder Frogs Are Green

Water Lilies, 1919, by Claude Monet – Metropolitan Museum of Art, New York City

About Claude Monet’s Garden at Giverny (Wikipedia):

Claude Monet noticed the village of Giverny while looking out of a train window. He made up his mind to move there and rented a house and the area surrounding it. In 1890 he had enough money to buy the house and land outright and set out to create the magnificent gardens he wanted to paint. Some of his most famous paintings were of his garden in Giverny, famous for its rectangular Clos normand, with archways of climbing plants entwined around colored shrubs, and the water garden, formed by a tributary to the Epte, with the Japanese bridge, the pond with the water lily, the wisterias and the azaleas.

Monet lived in the house with its famous pink crushed brick façade from 1883 until his death in 1926. He and many members of his family are interred in the village cemetery.

Water Lilies (or Nymphéas) is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict Monet’s flower garden at Giverny and were the main focus of Monet’s artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.^[1]

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Environmental Organization Helping to Bring Awareness About Frog Decline Around The World

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